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Chrome Attic
Target Practice
Introduction
Discussion of Chromatic Application - Part 1
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Discussion of Chromatic Application - Part 2
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Chromatic Scale
Basic Fingerings
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Broken/Unbroken Links
Major Scale 3rds - First 5 Frets
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Fingering Variations for C Major Scale Links in Position
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Fingering Variations For C Major Scale Links in Position Part 2
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Single String Broken/Unbroken Links
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Constant Link Exercise
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Revisiting Inside/Outside Method
F Major - Lower Neighbour Tones Within Diatonic Triads
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Enclosures
Enclosing Scale Tones with Neighbour Scale Tones
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Enclosing with Chromatic Neighbour Tones
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Diatonic Triads - G Major - Upper Scale Tone / Lower Chromatic Tone
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Diatonic Triads - G Major - Doubled Octave Root
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Intervals
G Major - Diatonic 3rds
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G Major - Diatonic 3rds - In Position
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G Major - Diatonic 3rds - In Position Part 2 - Beat Placement
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Triads
G Major - Lower Neighbour Tones
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G Major - Lower Neighbour Tone Variations
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Arpeggios
G Major - Diatonic 7th - Horizontal / Vertical
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G Major - Diatonic 7th / 5 - 7 - 3 - 1 - Horizontal
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G Major - Diatonic 7th / Half Step into All Chord Tones
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G Major - Diatonic 7th - Half Step into All Chord Tones - Variation
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The Bop shop
Chromatic Check-in
Free use of Enclosures in a Bop Improvisation - G Major
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Standard Time with the Neighbours
Blue Bossa
Applying Chromatics to Chord Tones
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Target Practice
Introduction
Chromatic Scale
Broken/Unbroken Links
Revisiting Inside/Outside Method
Enclosures
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My Favourite Lessons
Major Modes - Overview
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Target Practice
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Arpeggios
Arpeggios
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Drills
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G Major - Diatonic 7th - Horizontal / Vertical
G Major - Diatonic 7th / 5 - 7 - 3 - 1 - Horizontal
G Major - Diatonic 7th / Half Step into All Chord Tones
G Major - Diatonic 7th - Half Step into All Chord Tones - Variation
G Major - Diatonic 7th - Horizontal / Vertical
G Major - Diatonic 7th / 5 - 7 - 3 - 1 - Horizontal
G Major - Diatonic 7th / Half Step into All Chord Tones
G Major - Diatonic 7th - Half Step into All Chord Tones - Variation
Arpeggios
Homer the Metronome
The listening Space
Backing Tracks
147
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